NC State Department of
Performing Arts and Technology
presents
Wind Ensemble 2024 Holiday Concert
Directed By
Paul Garcia, conductor
PROGRAM
Select each title for more information.
A Chanukah Celebration
David Bobrowitz/Kenneth P. Soper
Notes
Chanukah, called the Jewish Festival of Lights, begins on the darkest night of the year and brings light to darkness. The celebration commemorates the defeat of Syrian tyrant Antiochus IV and the rededication of the reclaimed sacred Temple in Jerusalem. After cleaning the Temple of Syrian idols to prepare for their celebration, the Jewish people found only one small cruse (bottle) of pure olive oil with which to light their holy lamps. Miraculously, the cruse provided oil lasting eight days, hence the eight day celebration. The tradition of Chanukah is continued each year by lighting the Menorah and telling the story.
Greensleeves
Traditional
arr. by Alfred Reed
Notes
It is a common myth that “Greensleeves” was written by King Henry VIII. However, we know he did not compose the piece. The song was first published in 1580, but the original lyrics had nothing to do with Christmas. William Chatterton Dix, a manager of an insurance company, wrote the carol “What Child is This?” in 1865 after a near death experience brought a spiritual awakening in him. No one knows who paired this carol with the melody from “Greensleeves”, but it has since become a popular holiday song.
Concert Suite from The Polar Express
Alan Silverstri/Glen Ballard
arr. Jerry Brubaker
Notes
“The Polar Express” is an animated holiday movie that was released in 2004. The story is about a young boy who has grown skeptical of Santa Claus and is shocked to see a train stop outside his window on Christmas Eve that is destined for the North Pole. When he accepts an invitation from the conductor to climb on board, he embarks on a white-knuckle ride to Santa’s headquarters, where he makes fast friends and learns an invaluable lesson about the true spirit of Christmas. This concert suite features “Believe,” “The Polar Express,” “When Christmas Comes to Town,” and “Spirit of the Season.”
Small ensemble works to be announced from the stage.
Rocky Point Holiday
Ron Nelson
Notes
“Rocky Point Holiday” was a commission from Frank Bencriscutto and the University of Minnesota band for a tour of Russia. It was composed between 1968 and 1969. Bencriscutto had heard Nelson’s orchestral work Savannah River Holiday and decided he wanted something virtuosic to take with him on the Russian tour. When asked about the limitations of the band, Bencriscutto told him there were none. “I’m going to write a tremendously difficult piece,” Nelson warned him. “That’s fine,” replied Bencriscutto, and thus Rocky Point Holiday was born. Nelson says, “This was a pivotal moment in my notion of wind ensemble scoring, in which I focused on orchestrating in an extremely transparent way.”
The bulk of the work on the composition occurred while Nelson was on vacation at a Rhode Island seaside resort. Rocky Point is an amusement park over a hundred years old, located in Warwick Neck, RI. It was closed down in the mid-1990s due to a lack of funds.
Sleigh Ride
Leroy Anderson
Notes
In Leroy Anderson’s words:
“I began Sleigh Ride in the summer of 1946 in a cottage in Woodbury, Connecticut, where my wife and I were spending the summer with our 18-month-old daughter. The original version began with what later became the middle section. I recall working on it in the middle of a heat wave, so there is no basis for the music except the title itself.
That same summer I also worked on Fiddle-Faddle and Serenata. After moving to Brooklyn, New York in the fall I finished Fiddle-Faddle on January 1, 1947 and Serenata on February 12, 1947 in addition to making arrangements for the Boston Pops concerts in the spring.
I had felt that the original theme of Sleigh Ride was not strong enough to start the number but would make a good middle section. I finally worked out a satisfactory main theme, introduction and coda and finished the orchestra score on February 10, 1948. Sleigh Ride was first performed on May 4, 1948 in Symphony Hall, Boston as an extra at a Pops concert conducted by Arthur Fiedler. Lyrics by Mitchell Parish were added in 1950.”
Sincerely, Leroy Anderson
MEET THE PERFORMERS
NC State Wind Ensemble
Flutes
AJ Magistrado
Rebecca Moore
Ellie Murray
Caitlin Potter
Annamaria Cheek
Horns
Alex Troutman
Catherine Farnham
Trevor Petzold
Erik Svanes
Emily Cox
Jonah Catlin
Trumpets
Owen Forbes
Adah Morton
Joshua Aycock
Eiad Yakout
Nick Novelli
Doug Leavy
James Rhile
Virginia Griffith
Avery Vega
Maggie Gina
Seline Pons
Patrick Alvarado
Trombones
Max Abelson
Zack Powers
Luke Sbityakov
Liam Weiss (Bass)
Euphoniums
Daniel Bailey
Matthew Pearce
Tubas
Rico Abelson
Tyler Smith
Payton Wurst
Luke Ryan
Oboes
Megan Vezzetti
Cameron Kellner
Clarinets
Kyle Hinckley
Jordan Eilers
Jacob Timin
Claire Siegel
Mia Olgine
Sela Bettoli
Pen Hunter
Mitchell Sefton
Faith Richards
Lizzie Rappaport
Emmie Cumby
Bass Clarinets
Drew Guettler
Jake Bramhall
Emily Dodson
E Chapman
Bassoons
Ryan Gibson
Erika Fetvedt
Saxes
Seth Olanovich – Alto 1
Nathaniel Baird – Alto 2
Julia Gale – Alto 2
Jack Fulp – Tenor
Katherine Fowler – Tenor
Matt Cash – Bari
Piano
Elaine Wolochuk
Bass
Henry Henderson
Percussion
Jason Fogelsonger
Vadin Ha
Emma Hamrick
Charlotte Peele
Elizabeth Ingram
Zeiad Yakout
Casey Griffin
Bodey Good
Liam Courtright
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